: wae "SALE NUMBER 2010 
TON FROM SATURDAY, DECEMBER FIFTH 


a ie ASSEMBLED BY THE LATE 
. , NEW YORK 
MOSTLY BY EMINENT 
AMERICAN ARTISTS 
W. GEDNEY BUNCE, EMIL CARLSEN 
WILLIAM M. CHASE, PAUL CORNOYER 
GOLDEN DEARTH, FRANKLIN DE HAVEN 
_CHILDE HASSAM, GEORGE INNESS 
_J. FRANCIS MURPHY, DWIGHT W. TRYON 
IRVING R. WILES, & OTHERS 
_ SOLD BY ORDER OF 


vas WILLIAM TREVOR 
t 


i eg TO BE SOLD BY AUCTION 
THURSDAY EVENING 
DECEMBER TENTH 

AT EIGHT-FIFTEEN 


1925 


pete me 


idl? Wa eh) fa) VON oF" a. fe 


ih : e 4 po ol 
“ te OEE mB ne 


f 


aes Ts 


f 


4 a ewe. . PAY COREL ree er 
pias ce Say oe A, nee mat 
a F +3 2'gy PRY By 


MORNING 
BY J. FRANCIS MURPHY, N.A. ° 


[NUMBER 80 | 


SALE NUMBER 2010 
PUBLIC EXHIBITION FROM SATURDAY, DECEMBER FIFTH 


PAINTINGS VA 


ASSEMBLED BY THE LATE 


WILLIAM TREVOR \o) 


NEW YORK 


MOSTLY BY EMINENT 
AMERICAN ARTISTS 


W. GEDNEY BUNCE, EMIL CARLSEN 
WILLIAM M. CHASE, PAUL CORNOYER 
HY. GOLDEN DEARTH, FRANKLIN DE HAVEN 
CHILDE HASSAM, GEORGE INNESS 
J. FRANCIS MURPHY, DWIGHT W. TRYON 
IRVING R. WILES, & OTHERS 


SOLD BY ORDER OF 


MRS. WILLIAM TREVOR 


TO BE SOLD BY AUCTION 
THURSDAY EVENING 
DECEMBER TENTH 
AT EIGHT’FIFTEEN 


THE ANDERSON GALLERIES |S“ 
[MITCHELL KENNERLEY, Presipent} 


489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 
1925 


CONDITIONS OF SALE 


ALL BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. 
The highest bidder to be the buyer. In all cases of disputed bids the decision 
of the Auctioneer shall be final. ae 


Buyers to give their names and addresses and to make such cash payments on 
account as may be required, in default of which the lots purchased shall be 
resold immediately. 

Purchases to be removed at the buyer’s expense and risk within twenty-four 
hours from the conclusion of the sale, and the remainder of the purchase money 
to be paid on or before delivery, in default of which The Anderson Galleries, 
Incorporated, will not be responsible for any loss or-damage whatever, but the 
lot or lots will be left at the sole risk of the purchaser, and subject to storage 
tharges. ; 


All lots will be placed on public exhibition before the date of sale, for examina- 
tion by intending purchasers, and The Anderson Galleries, Incorporated, will 
not be responsible for the correctness of the description, authenticity, genuine- 
ness, or for any defect or fault in or concerning any lot, and make no warranty 
whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. 


_ If accounts are not paid and purchases removed within twenty-four hours of the 
conclusion of the sale, or, in the case of absent buyers, when bills are rendered, 
any sum deposited as part payment shall be forfeited, and ‘The Anderson Gal- 
leries, Incorporated, reserve the right to resell the lot or lots by either private 
or public sale, without further notice, and if any deficiency arises from such 
resale it shall be made good by the defaulter, together with all expenses in- 
curred. ‘This condition shall be without prejudice to the right of this Com- 
pany to enforce the sale contract and collect the amount due without such 
resale, at its own option. 

The Anderson Galleries, Incorporated, will afford every facility for the employ- 
ment of carriers and packers by the purchasers, but will not be responsible 
for any damage arising from the acts of such carriers and packers. 

The Anderson Galleries make no charge for executing orders for their cus- 


tomers and use all bids competitively, buying at the lowest price permitted 
by other bids. 


A Priced Copy of this Catalogue may be obtained for One Dollar 
for each Session of the Sale 


THE ANDERSON GALLERIES, INC. 
489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 
TELEPHONE REGENT 0250 CATALOGUES ON REQUEST 


SALES CONDUCTED BY MR. F. A. CHAPMAN AND MR. A. N. BADE 


LIST OF 


NUMBER 


ReePHIin C. P: 8, 
BANCROFT, M. H. 
BERNEKER, L. F. 
BUNCE, W. G. 
BUNNER, R. F. 
BURLEIGH, S. R. 
CARLSEN, E. 
CARLSON, J. F. 
CHASE, W. M. 
CONSTABLE, J. 
(ATTRIBUTED) 
COOPER, A. H. 
CORNOYER, PAUL 
52, 68, 87, 127, 


20, 
18, 


54, 


COROT): B. C. 
(ATTRIBUTED) 
DAVIES, L. 
DAVIS, W. B. 
DAY, F. M. 
DEARTH, H. G. 
DE HAVEN, F. 
DEWEY, C. M. 
DOUGLAS, P. A. 
DUTCH 
EATON, C. W. 
ENGLISH 
HIEGD, BE. L. 
FUAGG C.N. 
FOSTER, B. ete7. 10, 16, 28, 
88, 91, 100, 108, 109, 113, 116, 119, 
FOSTER, C. 53, 
POUACEH: G. R. 
FOWLER, R. 
FRENCH 
GENTH, L. M. 
GHENT, P. 
GRAY, A. 
GREEN, F. R. 
GRIFFIN, W. 
GRUPPE, C. P. 
GRUPPE, E. A. 
HAMILTON, E. S. 
HASSAM, C. 
HIGGINS, E. 
mr Lind. J. 
HOFFMAN, H. L. 
HUGHES, M. kK. 
INNESS, G. 
ISABEY, E. 
JOHNSON, D. 
KEELER, R. 
LOCKE, C. T. 
LONGSHAW, F. W. 2) 


510; 39, 67, 86, 


51, 
19, 


71, 


36 
111 


35, 
120 
95 
96 
122 
126 
57 
123 
109 


ARTISTS 


NUMBER 


MAROHN, F. 
MCCORD, G. H. 
MCDOUGAL, J. C. 
MIGUA Rie or. 
MINOR, R. C. 
MORA, F. L. 
MULHAUPT, F. J. 2, 
MURPHY, J. F. 
NETHERWOOD, A. 
NEWELL. GG. 
NICHOLS, H. 
OCHTMAN, L. 
O’KELLY, A. 
PARSHALL, D. 
POST, W. M. 
POTTHAST, E. H. 
POWELL, A. J. E. 
PREUSS, E. 
RANGER, H. W. 
REDMOND, J. J. 
REHN, F. K. M. 
(etext 
RITSCHEL, W. 
ROBINSON, W. S. 
RONDEL, H. 
RYDER) Cor 
Seine: 
SCHNEIDER, A. 
SHURTLEFF, R. M. 
SMITH, H. P. 
SMITH, W. G. 
SOUTHGATE, F. 
STEENKS, G. L. 
STODDARD, F. L. 
SUTCLIFFE, L. 8, 94, 107, 
SUTCUIBEELakl= es aeld. 
SYMONS, G. 
TALCOTIG AB: 
TOWNSEND, H. 29, 
TREVOR, Ey 45°9, 11. 16, 107; 117, 
TREVOR, L. 
TRYON, D. W. 
TYLER, JG 
UNKNOWN 

1, 12, 14, 110, 121, 124, 
VINCENT, H. K. 
WAUGH, F. J. 
WEST, B. 
WIGGINS, C. 9, 
WILES, I. R. 
WILLIAMS, F. B. 
YATES, C. 
VATS. 


26, 
12, 
4.0, 
59, 
17, 
22, 
43, 


123, 


25, 


5, 18, 32, 72, 
45, 


81, 


110, 
15, 


125, 


69, 
63, 


60, 


108 
30 
124 
21 
49 
70 
83 
80 
122 
89 
55 
ae 
126 
58 
48 
75 
106 
122 


124 


127 
126 


103 


127 


a 


* 


SALE THURSDAY EVENING, DECEMBER TENTH, AT 


NUMBERS 1-128 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


1 (a) MEADOW WITH COWS 
Canvas. Signed. Size, 14 x 22 inches. 


UNKNOWN MODERN 


(6) STILL LIFE, WINE AND APPLES 
Canvas. Size, 13814 x 914 inches. (2) 


RUDOLPH F. BUNNER 
CONTEMPORARY AMERICAN 


2 (a) THE OLD LANE 
Canvas. Signed. Size, 12 x 16 inches. 


FREDERICK J. MULHAUPT 
CONTEMPORARY AMERICAN 


(6) THE MODEL’S CURIOSITY 
Canvas. Signed. Size, 16 x 12 inches. (2) 


L. TREVOR SUTCLIFFE 
CONTEMPORARY ENGLISH 


3 (a) A COUNTRY ROAD 


Water color. Size, 12 x 18 inches. 


F. W. LONGSHAW 
CONTEMPORARY ENGLISH 


(b) THE BROOK 
Water color. Signed. Size, 27 x 19 inches. (2) 


1 


EDWARD TREVOR 
ENGLISH, 1860-1888 


4 (a) A CORNISH VILLAGE 
Water color. Signed. Size, 9 x 181% inches. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


(b) THE BROOK 
Canvas. Signed. Size, 15 x 20 inches. (2) 


WILLIAM RITSCHEL, N.A. 
CONTEMPORARY AMERICAN | 


5 (a) DUTCH CANAL SCENE 
Panel. Signed. Size, 10 x 8 inches. 


FRANKLIN DE HAVEN, N.A. 
CONTEMPORARY AMERICAN 


(b) AUTUMN LANDSCAPE 
Canvas. Signed. Size, 12 x 16 inches. (2) 


DAVID JOHNSON, N.A. 
AMERICAN, 1827-1908 


6 (a) THE MOUNTAIN LAKE 
Canvas. Monogrammed. Size, 7 x 11 inches. 


FRED YATES 
CONTEMPORARY ENGLISH 


(b) MORNING AT RYDAL, WANSFELL IN THE 
DISTANCE a 
Panel. Signed. Size, 7 x 10 inches. (2) a 


2 


ROLSTON KEELER 
CONTEMPORARY AMERICAN 


7 (a) LANDSCAPE 
Academy board. Signed. Size, 9 x 12 inches. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


(b) IN CONNECTICUT 
Water color. Signed. Size, 13814 x 211% iches. (2) 


LESTER SUTCLIFFE 
CONTEMPORARY ENGLISH 


Seo) GYPSY CAMP 
Academy board. Signed. Size, 138 x 17 mches. 


C. P. APPEL 
CONTEMPORARY AMERICAN 


(b) SUNSET LANDSCAPE 
Canvas board. Signed. Size, 7 x 10 inches. (2) 


EDWARD TREVOR 
ENGLISH, 1860-1888 


9 (a) A ROAD IN WALES 
Canvas. Signed and dated 1880. Size, 1014 x 13 inches. 


CARLTON WIGGINS, N.A. 
CONTEMPORARY AMERICAN 


(b) A HOLSTEIN BULL IN LANDSCAPE 
Canvas. Signed. Size, 12 x 16 inches. (2) 


3 


10 


11 


12 


FRANKLIN DE HAVEN, N.A. 
CONTEMPORARY AMERICAN 


(a) AUTUMN LANDSCAPE 
Canvas. Signed. Size, 12 x 16 inches. 


BEN FOSTER, N.A. 


CONTEMPORARY AMERICAN 


(b) ALONG THE MAINE COAST 
Water color. Size, 10 x 22 inches. (2) 


FRANK SOUTHGATE, R.B.A. 
CONTEMPORARY ENGLISH 


(a) SEA GULLS 


Water color. Signed. Size, 1114 x 2316 inches. 


EDWARD TREVOR 
ENGLisH, 1860-1888 


(b) COAST SCENE 
Water color. Signed. Size, 9 x 121% inches. 


F. LUIS MORA, N.A. 
CONTEMPORARY AMERICAN 


(a) STUDY OF A NUDE 
Panel. Signed. Size, 814 x 5 inches. 


UNKNOWN MODERN 


(b) STILL LIFE 
Canvas. Size, 10 x 14 inches. (2) 


4 


13 


14 


15 


CHARLES NOEL FLAGG, A.N.A. 
AMERICAN, 1848-1916 


(a) FRIENDLY FISHING BOATS 
Pastel on canvas. Signed and dated 1918. Size, 24 x 17 inches. 


WILLIAM RITSCHEL, N.A. 
CONTEMPORARY AMERICAN 


(6b) A DUTCH MILL 
Panel. Signed. Size, 8 x 6 inches. (2) 


L. TREVOR SUTCLIFFE 
CONTEMPORARY ENGLISH 


(a) WHEAT AND FLOWERS 
Panel. Signed. Size, 414 x 8 inches. 


UNKNOWN MODERN 


(b) ARRANGEMENT OF STUDIO EFFECTS 
Canvas. Size, 18 x 12 inches. (2) 


L. TREVOR SUTCLIFFE 
CONTEMPORARY ENGLISH 


(a) STILL LIFE, AN APPLE AND A PIPE 
Canvas. Size, 8 x 10 inches. 


FRANK RUSSELL GREEN, A.N.A. 
CONTEMPORARY AMERICAN 


(b) NEAR STRATFORD 
Water color. Signed. Size, 13% x 19 inches. (2) 


5 


16 


ie; 


18 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


(a) MAINE COAST 
Water color. Signed. Size, 11 x 15 inches. 


EDWARD TREVOR 
ENGLISH, 1860-1888 


(b) THE WRECK 
Water color. Monogrammed. Size, 834 x 9 inches. 


A. NETHERWOOD 
CONTEMPORARY ENGLISH 


(a) A WELSH SCENE 


Water color. Signed and dated 1905. Size, 8 x 141% inches. 


CHARLES MELVILLE DEWEY, N.A. 
CONTEMPORARY AMERICAN 


(b) SUNSET LANDSCAPE WITH SHEEP 
Academy board. Signed. Size, 15 x 12 inches. (2) 


FREDERICK BALLARD WILLIAMS, N.A. 
CONTEMPORARY AMERICAN 


(a) MOUNTAIN LANDSCAPE 
Academy board. Signed. Size, 8 x 10 mches. 


MILTON H. BANCROFT 
CONTEMPORARY AMERICAN 


(b) FIGURE STUDY ‘ 
Canvas. Signed. Size, 9 inches square. (2) 


6 


19 


20 


21 


ENGLISH 
EARLY 1OTH CENTURY 


PORTRAIT OF A LADY 
Bust, head slightly to the right, shoulders to the left, a pretty 
brunette in low-cut white bodice with red drapery; warm neutral 


background. 
Canvas. Oval. Height, 15 inches; width, 12 inches. 


CaP APRPEL 
CONTEMPORARY AMERICAN 


NEAR THE BARN 

A fine group of trees shelters the white cottage beside which a 
haystack and wain are seen, while a peasant woman rakes up 
the straw and rubbish about; fleeting creamy and grey sky with 
touches of blue. 

Canvas. Signed at the lower left. Height, 12 inches; width, 
16 inches. 


ADDISON T. MILLAR 
AMERICAN, 1860-1913 
THE TURKISH BAZAAR 


A customer in long white tunic and red sash is testing the clas- 
ticity of a sword, while the vendor looks on from behind the 
enclosure; rich carpets and arms displayed. 

Academy board. Signed at the lower right. Height, 7 inches; 
width, 9 inches. 


G. GLENN NEWELL, A.N.A. 
CONTEMPORARY AMERICAN 


HEAD OF A STEER 

White and brown spotted, facing the spectator; verdure back- 
ground. 

Academy board. Signed at the lower right. Height, 10 inches; 
width, 8 wches. 


23 


24 


25 


R. M. SHURTLEFF, N.A. 
AMERICAN, 1838-1915 


IN THE WOODS 

The foreground blanketed with old leaves and broken by a small 
body of water; trees rise at the middle ground with a bright 
silvery light breaking through the haze in the distance. 

Canvas. Signed at the lower left. Height, 12 inches; width, 16 
inches. 


ARTHUR SCHNEIDER 
CONTEMPORARY AMERICAN 


A MOORISH GATEWAY 

A horseman is in the foreground in shadow, while the effect is 
concentrated on an emerald-green door halfway open, leading 
into a courtyard; glimpse of blue sky. 

Academy board. Signed at lower right. Height, 16 inches; 
width, 12 inches. 


FRANK KNOX MORTON REBHN, N.A. 
AMERICAN, 1848-1914 


THE FISHING SCHOONER 

A fisherman has just put off in his dinghy while other craft are 
in the offing; richly colored sky with orange and lemon tinted 
clouds. 

Canvas. Signed and dated 1906 at the lower left. Height, 12 
wnches; width, 16 inches. 


ROBERT C. MINOR, N.A. 


AMERICAN, 1840-1904 
LANDSCAPE 
Flat expanse broken by pools of water in the foreground, tree 
groups in autumn coloring at the right and left, wooded dis- 
tance; ivory tinted sky with grey cloud effects. 
Academy board. Signed at lower left. Height, 814 inches; 
width, 1214 inches. 


27 


28 


29 


30 


31 


HARRY A. VINCENT, A.N.A. 
CONTEMPORARY AMERICAN 


FISHING BOATS 

In a sapphire-blue sea a couple of high-masted vessels are seen; 
warm grey sky with bright pearly effect over the horizon. 
Academy board. Signed and dated 1905 at the lower left. 
Height, 131% inches; width, 91% inches. 


BEN FOSTER, N.A. 


CONTEMPORARY AMERICAN 
STILL LIFE 
A bunch of lilacs in a green bowl in fine effect against a dark 
background. 
Canvas. Signed at the lower left. Height, 10 inches; width, 12 
inches. | 


HARRY TOWNSEND 
CONTEMPORARY AMERICAN 


THE ’CELLO 

A young woman in pink gown is tuning the instrument; interior 
background. 

Canvas. Height, 16 inches; width, 12 inches. 


GEORGE H. McCORD, A.N.A. 


AMERICAN, 1848-1909 
LANDSCAPE 
Green expanse with a pool in the foreground, gnarled oaks on 
the left and in the distance; emerald-green and buff tinted sky. 
Canvas. Signed at the lower left. Height, 12 inches; width, 
16 inches. 


EMILE ALBERT GRUPPE 


CONTEMPORARY AMERICAN 

OCTOBER 

A lake reflecting the rich coloring at sunset of the slender tree 
growths on its banks. 

Academy board. Signed at the lower right. Height, 11% 
mches; width, 1514 iches. 


32 


33 


34 


35 


36 


WILLIAM RITSCHEL, N.A. — 
CONTEMPORARY AMERICAN 


DUTCH FISHING VILLAGE 

Quaint red-tiled cottages reflected in the tranquil water, with a 
trawler in the foreground; pale blue sky. 

Canvas. Signed at the lower left. Height, 12 inches; width, 16 
wmches. 


LOUIS F. BERNEKER 


CONTEMPORARY AMERICAN 

WINTER 

Undulating, snow-covered landscape with fine tree groups at late 
afternoon. 

Canvas. Signed at the lower left. Height, 20 inches; width, 24 
inches. 


FRANK KNOX MORTON REHN, N.A. 
AMERICAN, 1848-1914 
HARBOR AT SUNSET 


Group of sails on the left with a luminous sunset sky. Con- 
tributed to the California Artists’ Relief Fund, 1906. 

Canvas. Signed at the lower left. Height, 12 inches; width, 
18 inches. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


STILL LIFE, FLOWERS 

Tea roses in a glass vase with the reflections of various windows 
contributing toward a very effective composition. 

Canvas. Signed at the lower left. Height, 20 inches; width, 18 
inches. 


C. P. APPEL 
CONTEMPORARY AMERICAN 


SUNSET LANDSCAPE 

Flat country with a pond in the foreground and a figure in a 
punt on the shore; fine tree group on the left; rich emerald sky 
with orange and golden tinted clouds. 


Canvas. Signed at the lower left. Height, 1114 inches; width, 
1514 inches. 


10 


37 


38 


39 


40) 


F. L. STODDARD 
CONTEMPORARY CANADIAN 


AFTER THE BATH 

A pretty female stands beside a tree about to attire herself; 
rich wood interior; river in the foreground with flowers on the 
bank. 


Canvas. Signed at the lower left. Height, 17 inches; width, 
12 inches. 


WARREN B. DAVIS 


CONTEMPORARY AMERICAN 


NYMPH IN WOOD 
Seated on a bank with her back toward the spectator. 


Canvas. Signed at the lower left. Height, 10 inches; width, 
8 inches. 


FRANKLIN DE HAVEN, N.A. 
CONTEMPORARY AMERICAN 


AUTUMN FOLIAGE 

A tree with deep red foliage rises on the left bank of a stream; 
hill in the distance with indications of a white cottage; pale 
emerald sky. 


Canvas. Signed at the lower left. Height, 16 inches; width, 
12 inches. 


FREDERICK J. MULHAUPT 
CONTEMPORARY AMERICAN 


A SEVILLE WATER CARRIER 

Stopping at a house entrance he is about to unload a large 
pottery receptacle from the patient burro’s side, while a woman 
standing in the doorway and others look on. 

Canvas. Signed and dated 1902 at the lower right. Height, 
12 inches; width, 16 inches. 


11 


Al 


42 


43 


44, 


45 


JAMES G. TYLER 
CONTEMPORARY AMERICAN 


THE TUGBOAT 

Moonlight scene in the Sound. 

Canvas. Signed and dated 1921 at the lower left. Height, 16 
inches; width, 12 inches. 


EK. S. HAMILTON 
AMERICAN, 1869-1903 
MUSIC 


Allegorical representation, a group of nymphs, the one in the 
centre playing a guitar; park background. 
Canvas. Height, 9 inches; width, 18 inches. 


HOBART NICHOLS, N.A. 
CONTEMPORARY AMERICAN 


AUTUMN, TUCKAHOE 

Wooded country in rich coloring. 

Academy board. Signed at the lower left. Height, 8 inches; 
width, 10 inches. 


HENRY WARD RANGER, N.A. 


AMERICAN, 1858-1916 
THE BROOK 
Bordered by sunlit rocks against a thicket of slender trees, 
with a glimpse of an emerald sky. 
Academy board. Signed and dated 1898 at the lower right. 
Height, 12 inches; width, 16 inches. 


WILLIAM S. ROBINSON, N.A. 


CONTEMPORARY AMERICAN 
LANDSCAPE 
A country road with fences, lavender tinted woods in the dis- 
tance; pearly blue sky with slight cloud effects. 
Canvas. Signed at the lower left. Height, 12 inches; width, 16 
inches. 


12 


46 


47 


48 


49 


GARDNER SYMONS, N.A. 
CONTEMPORARY AMERICAN 


EVENING LIGHT 

There is a break in the ice of the river beside which a farmhouse 
flanked by trees is seen, all tinted by the last rays of the setting 
sun; deep grey-blue sky. 

Canvas. Signed at the lower left. Size, 14 inches square. 


S. R. BURLEIGH 


CONTEMPORARY AMERICAN 

SPRING 

A lady stands beneath a tree in full blossom as a lamb ap- 
proaches on the right. 

Canvas. Signed at the lower right. Height, 1414 inches; width, 
1014 inches. 


W. MERRITT POST, A.N.A. 
CONTEMPORARY AMERICAN 


THE EDGE OF THE WOODS 

A brook winds through the velvety green and brown foreground 
with tall trees bereft of their foliage at the right and a deep 
blue distance, and emerald sky with deep pink and orange cloud 
effect. 

Canvas. Signed at the lower right. Height, 16 inches; width, 
12 inches. 


ROBERT C. MINOR, N.A. 


AMERICAN, 1840-1904 
MOONRISE 
A stream with a high bluff on the opposite bank from behind 
which the moon just appears on the right, while bathers are 
seen at the left in the shadow of tree groups; deep green and 
warm tinted sky. 
Panel. Signed at the lower right. Height, 12 inches; width, 
16 inches. 


13 


ROCKY COAST 
BY CHILDE HASSAM, N.A. 


[NUMBER 50_] 


CHILDE HASSAM, N.A. 


CONTEMPORARY AMERICAN 


50 ROCKY COAST 
The blue sea is washing over deep red and slaty cliffs at the 
right, creating a richly colored surf. 
Canvas. Signed at the lower left. Height, 18 inches; width, 22 
inches. 
[ SEE ILLUSTRATION | 


14 ae a4 


51 


ye: 


53 


CHARLES WARREN EATON 
CONTEMPORARY AMERICAN 


PINES AT EVENING 

Foreground in deep shadow with several pines rising majestically 
over a fine-toned grey and creamy sky. 

Canvas. Signed and dated 1898 at the lower left. Height, 12 
inches; width, 16 inches. 


PAUL CORNOYER, A.N.A. 
AMERICAN, 1865-1923 


THE OLD CHURCH 

Buildings in the foreground, with the sunlit church at middle 
distance; blue sky. re 

Canvas board. Signed at the lower left. Height, 16 inches; 
width, 12 inches. 


CHARLES FOSTER 


CONTEMPORARY AMERICAN 
THE RIVER 
Broad expanse of water with luxuriant grasses on its banks, 
slight tree groups rising over a violet distance and a pale pink 
sky. 
Canvas. Signed at the lower left. Height, 14 inches; width, 
19 inches. 


15 


54 


GRANDE CANALE, VENICE 
BY W. GEDNEY BUNCE, N.A. 


NUMBER 54 | 


W. GEDNEY BUNCE, N.A.— 
AMERICAN, 1840-1916 


GRANDE CANALE, VENICE 


From the tranquil waters of the lagoon, reflecting the deep 
orange and pale emerald of the sky, the distant Venice rises, 


while graceful sailing vessels balance the composition on the 
right and left. 


Panel. Signed at the lower left. Height, 14 inches; width, 17 
inches. , 


[SEE ILLUSTRATION | 


16 ; 


55 


56: 


57 


58 


HOBART NICHOLS, N.A. 
CONTEMPORARY AMERICAN 


WOOD INTERIOR 

Huge boulders at the left in shadow, with autumn foliage 
sparkling in the sunlight in the distance. 

Canvas. Signed on the lower left. Height, 18 inches; width, 
22 inches. 


WILLIAM GEDNEY BUNCE, N.A. 
AMERICAN, 1840-1916 
AFTER SUNSET 


Flat expanse with a low-pitched horizon; warm sky with luminous 
effects. 

Panel. Inscribed on back, “Wee Bit New England, East Bridge- 
water, Mass. Nov. 5, 1880”. Height, 14 inches; width, 17 inches. 


LILLIAN M. GENTH, A.N.A. 
CONTEMPORARY AMERICAN 


SUMMER’S DAWN 

A nude female figure stands on a rock beside a brook, her hands 
grasping the branches of a tree which traces a lace-like design 
over a distance of semi-light effects. 

Canvas. Signed at the lower left. Height, 20 inches; width, 16 
inches. 


DEWITT PARSHALL, N.A. 
CONTEMPORARY AMERICAN 


MAINE COAST 

Bleak rocky formations of a deep slaty character in the fore- 
ground and a pale orange mass projecting in the middle ground, 
the surf breaking at its base; grey-green sea, with a pale 
emerald and cloudy sky. 

Canvas. Signed at the lower right. Height, 18 inches; width, 
24 inches. 


17 


LANDSCAPE 
BY J. FRANCIS MURPHY, N.A. 


[NUMBER 59 | 


J. FRANCIS MURPHY, N.A. 
AMERICAN, 1853-1921 


59 LANDSCAPE 


Foreground of rich green meadow land with brown stubble in 
the distance, broken by a lake which reflects the ivory burnish 
of the sky; slender tree groups at the left. 


Canvas. Signed and dated 1908 at the lower right. Height, 12 
mnches; width, 16 inches. 


[ SEE ILLUSTRATION | 


18 


60 


61 


62 


63 


CULLEN YATES, N.A. 
CONTEMPORARY AMERICAN 


INTERIOR OF A WOOD 

Fine oaks in deep colored foliage, with a pool in the foreground 
and glimpse of a blue hill in the distance. 

Canvas. Signed at the lower right. Size, 14 inches square. 


EMIL CARLSEN, N.A. 
CONTEMPORARY AMERICAN 


STILL LIFE 
A lobster with oysters on the half shell and a slice of lemon with 
green leaves on a table; dark complementary background. 


Canvas. Signed at the lower right. Height, 9 inches; width, 
1614 inches. 


CULLEN YATES, N.A. 
CONTEMPORARY AMERICAN 


A ROAD THROUGH A WOOD 

Winding toward the spectator, bordered by stone hedges, slender 
trees rising to the right and left, grey-blue thicket in the dis- 
tance; pale blue sky with cloud effects. 

Canvas. Signed at the lower left. Height, 12 inches; width, 
16 inches. 


IRVING R. WILES, N.A. 
CONTEMPORARY AMERICAN 


READING A LETTER 

A pretty young woman in pink and green bodice is leaning for- 
ward, her right elbow resting on a table and supporting her 
chin as she is engrossed in a letter; dark background. 

Canvas. Signed at the upper left. Height, 134 inches; width, 
914, inches. 


uy) 


64 


65 


66 


67 


FREDERICK J. WAUGH, N.A. 
CONTEMPORARY AMERICAN 


CAPE ANN COAST 

Rocky formations tinged a deep crimson by the setting sun, 
with a turbulent turquoise sea and an emerald sky. 

Canvas. Signed at the lower right; dated 1911 on the back. 
Height, 12 inches; width, 16 inches. 


E. LOYAL FIELD 
AMERICAN, 1856-1914 


NEAR ARKVILLE 

Wide expanse of grassy land with a small pool in the foreground, 
a hill at the middle distance; beautiful sky, grey and creamy 
near the horizon to blue and buff at the top, with fine cloud 
formations. 

Canvas. Signed at the lower right. Height, 20 inches; width, 
24 inches. 


WILLIAM S. ROBINSON, N.A. 
CONTEMPORARY AMERICAN 


LANDSCAPE 

Expanse of rich brown grasses in the foreground broken by a 
silvery pool, copper tinted trees at the left with a sapphire 
tinted hill at the horizon; greenish-grey sky with effective lu- 
minous creamy and orange touches. 


Canvas. Signed at the lower right. Height, 12 inches; width, 
16 inches. 


FRANKLIN DE HAVEN, N.A. 
CONTEMPORARY AMERICAN 


LAND AND WATER 

A broken seashore with a pool in the foreground and the blue 
sea in the distance; low-pitched horizon with an effective pale 
blue-violet and silvery clouded sky. 


Canvas. Signed at the lower right. Height, 12 inches; width, 
16 aches. 


20 


68 


69 


70 


PAUL CORNOYER, A.N.A. ~ 
AMERICAN, 1865-19238 
IN THE BRONX 


A brook in the foreground with a colorful meadow beyond, tree 
groups rising at the left and right, meeting overhead and en- 
closing a blue and emerald sky with bright cloud effects. 
Canvas board. Signed at the lower left. Height, 12 inches; 
width, 16 inches. 


CARLETON WIGGINS, N.A. 
CONTEMPORARY AMERICAN 


COWS IN LANDSCAPE 

Two reddish-brown and white spotted specimens are ruminating 
on a grassy expanse in the foreground; tree groups in the dis- 
tance, pale blue and cloudy sky. 

Canvas. Signed at the lower left. Height, 18 inches; width, 22 
mches. 


F. LUIS MORA, N.A. 
CONTEMPORARY AMERICAN 


A HILL TOP IN SPAIN 

Along a winding road bordered with cacti, an urchin and a man 
and woman are wending their way, their figures in half shadow 
against a sunlit country beyond. 

Canvas. Signed at the lower left. Height, 16 inches; width, 12 
mches. 


21 


~l 


LANDSCAPE :) 
BY GEORGE INNESS, N.A. 


[NUMBER 71 | 


GEORGE INNESS, N.A. 
AMERICAN, 1825-1894 


LANDSCAPE 

A foreground with tall grasses, a fence farther back with a culti- 
rated field, figures at the left with a cottage in the distance; 
grey sky turning to a silvery and creamy color on the right, 
with slight touches of blue. 


Canvas. Signed and dated 1866 at the lower right. Height, 
914 inches; width, 13 inches. 


| SEE ILLUSTRATION | 


22 


12 


74 


75 


WILLIAM RITSCHEL, N.A. 
CONTEMPORARY AMERICAN 


DUTCH SCENE 

A shepherd and his herd are approaching the spectator on a 
country road. Low pitched horizon with cottages on the left; 
pale emerald sky with evening cloud effect. 

Canvas. Signed at the lower left. Height, 12 inches; width, 16 
inches. 


DWIGHT W. TRYON, N.A. 


AMERICAN, 1849-1925 
LANDSCAPE 
A stream with rich green banks, figures and cows in the dis- 
tance, fine group of trees and tower rising in the distance over 
an ivory, grey and orange sky. 
Panel. Signed at the lower right and dated 1878 at the lower 
left. Height, 11 inches; width, 14 inches. 


GEORGE INNESS, N.A. 


AMERICAN, 1825-1894 
LANDSCAPE 
Stubble foreground with figures, wooded bank in deep relief from 
a slaty grey sky with values in pale violet. 
Academy board. Signed at the lower left. Height, 9 inches: 
width, 14 inches. 


EDWARD H. POTTHAST, N.A. 
CONTEMPORARY AMERICAN 


AUTUMN ON THE BRONX 

Copper birches rise from a mossy bank in the foreground, beside 
the river, the foliage on the opposite bank just discernible in the 
silvery mist. 

Canvas. Signed at the lower right. Height, 30 imches; width, 
40 inches. 


23 


STILL LIFE 
BY WILLIAM MERRITT CHASE, N.A. 


[NUMBER 176 | 


WILLIAM MERRITT CHASE, N.A. 
AMERICAN, 1849-1916 
76 STILL LIFE, FISH 


A pickerel and three smail fish and a brass ladle in nice arrange- 
ment on a table against a dark background. 
Canvas. Signed at the lower right. Height, 20 inches; width, 


24 inches. 
[ SEE ILLUSTRATION | 


24 


17 


78 


79 


80 


EMIL CARLSEN, N.A. 


CONTEMPORARY AMERICAN 
APPLES 
A quantity of green, yellow and orange tinted apples on a table 
with a copper vessel against a dark background. 
Canvas. Signed at the lower right. Height, 30 inches; width, 
35 inches. 


HENRY GOLDEN DEARTH, N.A. 
AMERICAN, 1864-1918 
A FRENCH HARBOR 


A two-masted schooner and a tug are moored in a sluggish body 
of water, and the quaint houses of an old town raise their chim- 
ney tops in nice design over a grey and ivory sky. 

Canvas. Signed at the lower right. Height, 17 inches; width, 
2014 inches. 


LEONARD OCHTMAN, N.A. 
CONTEMPORARY AMERICAN 


AUTUMN LANDSCAPE 

Exxpanse of green and brown grasses leading toward a slope with 
nice tree groups to balance the horizontal lines of the composi- 
tion ; tender sky of fleeting clouds in pink, pale blue and lavender. 
Canvas. Signed at the lower left. Height, 24 inches; width, 30 
inches. 


J. FRANCIS MURPHY, N.A. 
AMERICAN, 1853-1921 
MORNING 


Marshy foreground with green grasses broken by several pools 
of water; brown stubble at the middle distance spreading to a 
group of low-pitched farm buildings flanked by a thicket; rich 
ivory and pale ochre tinted clouds with touches of silver. 

Panel. Signed and dated 1903 at the lower left. Height, 14 
inches; width, 19 inches. 


[SEE FRONTISPIECE | 


25 


81 


82 


83 


84 


CHAUNCEY F. RYDER, N.A. 
CONTEMPORARY AMERICAN 


LANDSCAPE 
A hill top with slight tree groups in the foreground; figures in 
the middle distance; sky composed of masses of grey clouds with 
several bursts of pristine blue. 
Canvas. Signed at the lower right. Height, 25 inches; width, 
30 inches. 

JOHN F. CARLSON, A.N.A. 


- CONTEMPORARY AMERICAN 


WINTER’S DAWN 

Snow-covered foreground, indication of several cottages and tree 
groups at middle ground, with the sun playing on snowy ridges in 
the distance; blue sky. 

Canvas. Signed at the lower left. Height, 24 mches; width, 30 
inches. 


FREDERICK J. MULHAUPT 
CONTEMPORARY AMERICAN 


THE BRIDGE, TOLEDO, SPAIN 

The 'Tagus River is seen canyon-like with high banks crossed by 
a huge arched structure with a tall fortress at the opposite 
approach, where the hill is crowned with severe looking buildings. 
A. herder and his goats are seen on the bare rocks in the fore- 
ground, and a peasant and his ass are on the path yonder. Blue 
sky with a fringe of effective creamy clouds just emerging from 
behind the hill. 


Canvas. Signed and dated 1907 at the lower left. Height, 26 
inches; width, 31 inches. 


WALTER GRIFFIN, N.A. 
CONTEMPORARY AMERICAN 


THE DAY IS DONE 

A farmer leads a white and a brown horse away from the 
spectator along a country road lined with tall trees. Rich sunset 
sky, poetic rendering. 

Canvas, Signed at the lower right. Height, 24 inches; width, 30 
inches. 


26 


85 


[NUMBER 85 ] 


IRVING R. WILES, N.A. 


CONTEMPORARY AMERICAN 


THE LETTER 

A young lady with rich auburn hair, attired in a lavender gown, 
is seated with her back to the spectator, writing at her desk and 
in deep meditation as she holds a quill pen; fine interior. 
Canvas. Signed at the upper right. Height, 27 imches; width, 


21 inches. 


27 


FRANKLIN DE HAVEN, N.A. 
CONTEMPORARY AMERICAN 


86 MOONLIGHT 
A country road leading to a body of water dominates the fore- 
ground; wooded bank at the right, figures indicated in the dis- 
tance; the moon is rising over the hill beyond, with a picturesque 
sky filled with banks of clouds of various strata in striking effects. 


Canvas. Signed at the lower left. Height, 2914 inches; width, 
23 inches. | 


PAUL CORNOYER, A.N.A. 
AMERICAN, 1865-1923 


87 EXCAVATION, GRAND CENTRAL STATION 
Picturesque rendition of the district as it appeared with the old 
depot, the Belmont and Manhattan hotels, the Tiffany studios 
and a section of the Children’s Hospital in the distance. Yards 
with box and flat cars in the foreground; luminous blue sky. 


Canvas. Signed at the lower left. Height, 26 inches; width, 34 
inches. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


88 A PUMPKIN 
A fine specimen with a slice removed and placed beside it on a 
deal table, against a greenish-blue background. 


Canvas. Signed at the lower centre. Height, 30 inches; width, 
36 inches. 


28 


G. GLENN NEWELL, A.N.A. 


CONTEMPORARY AMERICAN 


89 SALT MEADOW HAYING 


90 


m1 


A wain drawn by a couple of oxen is being loaded with hay from 
a barge on the shore of the river at the left; tree groups on the 
opposite bank, blue sky with effective silvery and grey clouds. 
Canvas. Signed and dated 1906 at the lower left. Height, 30 
inches; width, 40 inches. 


CHAUNCEY F. RYDER, N.A. 
CONTEMPORARY AMERICAN 


ON THE DUNES 
A hillside dotted with tree groups in nice design; grey sky with 
slight blue values. 


Canvas. Signed at the lower left. Height, 32 inches; width, 39 
inches. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


LANDSCAPE WITH CATTLE 

Broad meadows with several cows in the distance leading toward 
a hill crowned with dark foliage; effective sunset sky. 

Canvas. Signed at the lower right. Height, 24 inches; width, 
17 inches. 


' 29 


92 


STILL LIFE 
BY EMIL CARLSEN, N.A. : 


[NUMBER 92 | 


EMIL CARLSEN, N.A. 
CONTEMPORARY AMERICAN 


STILL LIFE 

Fine arrangement of a black kettle, a china bowl, a wide-bodied 
jug with handle, an odd tea kettle and a white dishcloth, in high- 
keyed values and sparkling effect. 

Canvas. Signed and dated 1905 at the lower left. Height, 34 
inches; width, 38 -inches. 


[SEE ILLUSTRATION | 


- 


30 


93 


94 


95 


96 


HENRY PEMBER SMITH 
AMERICAN, 1854-1907 
ALONG A VENETIAN CANAL 


Beautiful palaces with gardens, a bridge at the right and a tower 
in the distance; limpid blue sky with a number of gondolas on 


- the water. 


Canvas. Signed at the lower left. Height, 20 inches; width, 28 
inches. 


LESTER SUTCLIFFE 


CONTEMPORARY ENGLISH 


SPRING BLOSSOMS 
_ Apple orchard in colorful bloom with hens about, and glimpse 


of a cottage at the back. 
Canvas. Signed at the lower left. Height, 14 inches; width, 21 
inches. 


CHARLES FOSTER 
CONTEMPORARY AMERICAN 


AUTUMN WOODS 

A thicket of pine and birch trees, with a clearing of green and 
orange grasses in the foreground. 

Canvas. Signed at the lower left. Height, 27 inches; width, 26 


inches. 


G. R. FOUACE 
CONTEMPORARY FRENCH 


STILL LIFE 

A bunch of asparagus, strawberries in a cabbage leaf and a brass 
kettle on a table, all in nice relief from a complementary back- 
ground. 

Canvas. Signed at the lower left. Height, 18 inches; width, 28 
inches. 


31 


97 


98 


99 


100 


G. L. STEENKS 
CONTEMPORARY AMERICAN 


STILL LIFE 

A ripe pumpkin, a mortar and pestle and a jug on a table against 
a brown background. 

Canvas. Signed and dated 1892 at the lower left. Height, 15 
inches; width, 20 inches. 


HARRY TOWNSEND 
CONTEMPORARY AMERICAN 


DORCAS 


A charming young woman in pale blue gown is seated at her 
sewing in a comfortable interior. 
Panel. Signed at the lower left. Size, 14 inches square. 


W. GRANVILLE SMITH 
CONTEMPORARY AMERICAN 


THE LANDING 

A couple of ladies are about to embark on a yacht from a small 
landing place, all prettily reflected in the blue water, another sail 
in the offing; blue and cloudy sky. 


Canvas. Signed and dated 1909 at the lower left. 14 inches 
square. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


A NEW ENGLAND, LANDSCAPE 


Rolling countryside, with a typical Colonial church nestling 
among the hilly slopes. 


Canvas. Signed at the lower right. Height, 20 inches; width, 18 
inches. 


82 


101 


EUGENE ISABEY 
FRENCH, 1803-1886 
THE LIGHTHOUSE 


A picturesque trawler is navigating in a rough sea close to a 
dock, with a lighthouse rising over a cloudy sky. 

Canvas. Signed at the lower left. Height, 11 inches; width, 9 
inches. 


ATTRIBUTED TO JEAN BAPTISTE CAMILLE COROT 


102 


1038 


104 


FRENCH, 1796-1875 


LANDSCAPE 

Sloping foreground with habitations on the left, tree groups at 
the right and a figure in the foreground; pale blue and creamy 
sky. | 

Canvas. Signed at the lower left. Height, 81% inches; width, 
13 inches. 


HENRI RONDEL 
CONTEMPORARY FRENCH 


HALF-LENGTH NUDE 

Shoulders to the right, head turned toward the spectator, of a 
pretty auburn-haired young woman, with slight drapery about 
the waist ; neutral background. 

Canvas. Signed at the lower right. Height, 18 inches; width, 
15 inches. 


BENJAMIN WEST, P.R.A. 
AMERICAN, 1738-1820 


ST. JOHN 

Is seen with clasped hands in an attitude of prayer, the lamb at 
his right and the cross beside him; landscape background. 
Canvas. Height, 22 inches; width, 17 inches. 


33 


105 


106 


107 


HARRY L. HOFFMAN 


CONTEMPORARY AMERICAN 


WINTER LANDSCAPE 

A rivulet winds its way between boulders to a fall near the fore- 
ground; fine tree groups about; pale emerald sky. 

Canvas. Signed at the lower right. Height, 26 inches; width, 


‘24 inches. 


ALLEN B. TALCOTT 
AMERICAN, 1867-1908 


(a) EARLY FALL 
Panel. Signed. Size, 12 x 16 inches. 


ARTHUR J. EK. POWELL, A.N.A. 
CONTEMPORARY AMERICAN 


(b) FRENCH RIVER SCENE 
Canvas. Signed. Size, 12 x 16 inches. (2) 


EDWARD TREVOR 


ENGLISH, 1860-1888 
(a) VENETIAN BOATS 
Panel. Size, 844 x 51% inches. 


LESTER SUTCLIFFE 
CONTEMPORARY ENGLISH 


(b) WHITBY, YORKSHIRE, ENGLAND 
Water color. Signed. Size, 9 x 7 inches. (2) 


34 


108 


109 


110 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


(a) STILL LIFE, PEARS AND A GREEN BOWL 
Canvas. Signed. Size, 13 x 16 inches. 


F. MAROHN 
GERMAN, 19TH CENTURY 


(b) THE STORM 
Panel. Signed. Size, 10 x 8 inches. (2) 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


(a) WILD ROSES 
Canvas. Signed. Size, 12 x 14 inches. 


ARCHIBALD GRAY 
CONTEMPORARY AMERICAN 


(b) SUNSET GLOW 


Academy board. Signed and dated 1908. Size, 9 x 12 inches. 


LESTER SUTCLIFFE 
CONTEMPORARY ENGLISH 


(a) AFTER RAIN, BOLTON WOODS PARK, YORK 
Water color. Size, 15 x 101% inches. 


UNKNOWN MODERN 


(b) MARSHES 
Academy board. Size, 6 x 8 inches. (2) 


35 


(2) 


FRANKLIN DE HAVEN, N.A. 
CONTEMPORARY AMERICAN 


111 (a) AUTUMN FOLIAGE 
Panel. Signed. Size, 12 x 14 inches. 


M. H. BANCROFT 
CONTEMPORARY AMERICAN 


(b) ARIADNE IN NAXOS 
Canvas. Signed. Size, 138 x 16 inches. (2) 


FRANK MILES DAY, A.N.A. 
AMERICAN, 1868-1918 


112. (a) THE SHEPHERDESS 
Canvas. Signed. Size, 16 x 12 inches. 


CHARLES P. GRUPPE 
CONTEMPORARY AMERICAN 


(b) DUTCH LANDSCAPE 
Canvas. Size, 16 x 12 inches. (2) 


A. HEATON COOPER 
CONTEMPORARY ENGLISH 


113. (a) WELSH VILLAGE 
Water color. Signed. Size, 1014 x 15 inches. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


(b) ON THE MAINE COAST 5 = 
Water color. Signed. Size, 8 x 11 inches. (2) : 


36 


CARLTON WIGGINS, N.A. 
CONTEMPORARY AMERICAN 


114 (a) SHEEP GRAZING 
Canvas. Signed. Size, 12 x 16 imches. 


J. J. HILL 
ENGLISH, 1811-1882 


(b) SPRING BLOSSOMS 
Canvas. Size, 14 x 16 inches. (2) 


CHARLES WARREN EATON 
CONTEMPORARY AMERICAN 


115 (a) COAST SCENE, WISCASSET 
Water color. Signed and dated 1891. Size, 1514 x 21 inches. 


C. T. LOCKE 
CONTEMPORARY AMERICAN 


(b) CARNATIONS 
Pastel. Signed. Size, 22 x 16 inches. (2) 


L. TREVOR SUTCLIFFE 
CONTEMPORARY ENGLISH 


116 (a) WELSH VILLAGE 
Water color. Signed. Size, 164% x 12 inches. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


(b) EVENING SCENE 
Water color. Signed. Size, 12 x 21 inches. (2) 


37 


EDWARD TREVOR 
ENGLISH, 1860-1888 
117 (a) VENETIAN SCENE 
Cradled panel. Signed and dated 1884. Size, 10 x 14 mches. 
MYRA K. HUGHES 
CONTEMPORARY ENGLISH 


(b) GLEBE PLACE, OLD CHELSEA 
Tinted etching. Size, 5 x 8 inches. (2) 


PAUL A. DOUGLAS 
AMERICAN, 1892-1912 
118 (a) PORTRAIT OF A GIRL, LANDSCAPE BACKGROUND 
Canvas. Signed and dated 1911. Size, 30 x 25 inches. 
LYCETT DAVIES 
CONTEMPORARY ENGLISH 


(b) PORTRAIT OF A DUTCH GIRL 
Canvas. Size, 31 x 23 inches. (2) 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


119 (a) LANDSCAPE 
Canvas. Size, 11144 x 14 mcehes. 


F. W. LONGSHAW 
CONTEMPORARY ENGLISH 
(b) SONNING-ON-THAMES 
Water color. Signed and dated 1902. Size, 1914 x 13 imches. 
L. TREVOR 


CONTEMPORARY ENGLISH 


(c) IN THE WOODS 
Water color. Signed. Size, 12% x 9 mches. . (8) 


38 


EUGENE HIGGINS, A.N.A. 
CONTEMPORARY AMERICAN 


120 (a) FIGURE COMPOSITION 


Academy board. Size, 8 x 6 inches. 


ATTRIBUTED TO CONSTABLE 
ENGLISH, 19TH CENTURY 


(b) LANDSCAPE 


Canvas. Size, 8 x 12 inches. 


BEN FOSTER, N.A. 
CONTEMPORARY AMERICAN 


(c) WOODED SCENE : 
Canvas. Signed. Size, 12 x 18 inches. (8) 


LESTER SUTCLIFFE 
CONTEMPORARY ENGLISH 


121 (a) ROCKY COAST WITH FISHERWOMEN 
Drawing. Signed. Size, 17 x 271% inches. 


UNKNOWN MODERN 
(b) DECORATIVE PANEL, FLOWERS AND A BIRD 


Water color. Size, 21 x 4& inches. 


UNKNOWN MODERN 


(e)eolILL LIFE 
Canvas. Size, 10 x 814 inches. (8) 


39 


122 


123 


A. NETHERWOOD 
CONTEMPORARY ENGLISH 


(a) A WELSH COTTAGE 
Water color. Signed. Size, 22 x 18 inches. 


ROBERT FOWLER, R.I. 
CONTEMPORARY ENGLISH 


(b) IDEAL HEAD 
Canvas. Monogrammed. Size, 14 x 10 inches. 


EMILIE PREUSS 
BELGIAN, 19TH CENTURY 


(c) THE WATCHDOG 


Canvas. After original in the Wiertz Museum, Brussels. 


19 x 14 inches. (8) 


ALOYSIUS O?’KELLY 
CONTEMPORARY ENGLISH 


(a) BOATS AT ANCHOR 
Panel. Signed. Size, 9 x 18 inches. 


PETER GHENT 
CONTEMPORARY ENGLISH 


(b) A WELSH COTTAGE 
Water color. Signed. Size, 81% x 11 inches. 


EDWARD TREVOR 
ENGLISH, 1860-1888 


(c) FISHING VILLAGE 
Water color. Size, 914 x 131% inches. (8) 


40° 


Size, 


JOHN C. McDOUGAL 
ENGLISH, 19TH CENTURY 


124 (a) HEAD OF AN OLD LADY 
Water color. Signed. Size, 14 x 121% inches. 


UNKNOWN 


(b) QUAINT FIGURE AND A CAT 
Paper. Size, 514% x 41% inches. 


UNKNOWN MODERN 
(c) COAST SCENE 


Water color. Size, ‘7 x 15 inches. 


- J. J. REDMOND 
ENGLISH, 19TH CENTURY 


(d) DUTCH MILL 
Water color. Signed. Size, 15 x 11 inches. (4) 


UNKNOWN MODERN 


125 (a) THE FOX HUNT 
Set of four. Panel. Size, 5 x 814 inches. (Unframed) 


DUTCH, 17TH CENTURY 


(b) INTERIOR OF A CHURCH, WITH FIGURES 
Panel. Size, 1214 x 1014 inches. (5) 


Al 


126 -(a) FISHING BOATS, SIGNED A. O*KRELLY 
Panel. Size, 9 x 13 inches. 


(6b) CLASSICAL LANDSCAPE, ENGLISH,’ 19TH'\CEN 


TURY : 
Water color. Size, 5 x 81% inches. \ 
(c) DUTCH FISHING BOATS, WM. RITSCHEL, N.A. X 


Academy board. Size, 8 x 10 inches. 


(d) ORIENTAL LANDSCAPE, UNKNOWN 
Water color. Size, 4 x V inches. 

(e) ENEMY DEAD, COPY, FRENCH 
Panel. Size, 4 x 51% inches. (5) 


PAUL CORNOYER, A.N.A. 
AMERICAN, 1865-1923 . 


127 (a) LANDSCAPE SKETCH 
Panel. Signed. Size, 4 x 6 inches. (Unframed) 


R. G. S. 
AMERICAN SCHOOL 


(b) SEVEN LANDSCAPE SKETCHES 
Panels. Initialled. Size, 51/4 x 814 inches. (Unframed) (8) 


PAUL CORNOYER, A.N.A. 
AMERICAN, 1865-1923 
128 THE COUNTRY PATH 


Leading from the spectator toward a group of houses in the 
middle ground; glimpse of water at the right distance, with fine 
groups of trees over a pale blue sky; figures near the fore- 
ground. 

Canvas. Signed and inscribed “To Mrs. Wm. Trevor” at the 
lower right. Height, 12 inches; width, 16 inches. 


42 


